I remember back in ‘06 when the “Air” 12” dropped in Piccadilly Records. I was fresh out of university, working there for pittance, my true compensation was exposure to records I’d have otherwise missed. It sounded like an artefact from the future back then. It’s power has hardly diminished in the almost two decades since.
From my two decades of DJing, promoting, producing and performing, easily the most cherished bucket list item is my time spent opening for and touring with Tadd.
Remember when #FREEDABRYE was a thing? 😝
Your note about American modernism and Tadd’s aversion to corniness is so spot on; it’s such a consistent thread through his catalog. I’m so thankful that we’re on the eve of some new Dabrye music.
Thanks so much for investing in folks like Tadd & Matt Dear; Ghostly has (and continues to be) such a treasure.
Love this. Thanks for the note Kevin.
I remember back in ‘06 when the “Air” 12” dropped in Piccadilly Records. I was fresh out of university, working there for pittance, my true compensation was exposure to records I’d have otherwise missed. It sounded like an artefact from the future back then. It’s power has hardly diminished in the almost two decades since.
From my two decades of DJing, promoting, producing and performing, easily the most cherished bucket list item is my time spent opening for and touring with Tadd.
Remember when #FREEDABRYE was a thing? 😝
Your note about American modernism and Tadd’s aversion to corniness is so spot on; it’s such a consistent thread through his catalog. I’m so thankful that we’re on the eve of some new Dabrye music.
Thanks so much for investing in folks like Tadd & Matt Dear; Ghostly has (and continues to be) such a treasure.
🙏